Not a Typical DL-1

Over the years I've been fortunate enough to befriend some very serious bicycle collectors. And I understand enough about how they operate to know it is unlikely that I will ever be one of them. I have a strong aversion to online auctions. I am unwilling to spend my weekends traveling across state lines to visit bike swaps and barn sales. Space is an issue. And most importantly, my tastes in bikes are too varied. But if there is one bicycle in which my interest has remained consistent, it is the Raleigh DL-1 Lady's Tourist.

I acquired my first one in 2009 - a run of the mill 1973 model in so-so condition - and "frankenbiked" it into a working city steed which I still ride today. The second Lady's Tourist was practically forced into my hands half a year later. The 1930s model was covered in surface rust and I did not want it. Where would I keep the filthy thing? But the gentleman who offered it insisted I was the rightful owner: "Take it. It is completely intact and that rust can be removed. You won't regret it." He was correct. It is a historically significant treasure that I look forward to carefully restoring some day. 

At that point I knew that I would have a collection of DL-1s in the future; it was just a matter of time and luck. I did not intend to buy up random Raleigh Tourists; I was interested in specific things. An all-original model from the 1940s-50s was one of them. A pre-1930s model was another. And then there was the one that seemed least likely to surface: the chrome Tourist. But two years later, surface it did - in the hands of a collector in Germany, who did not want it for himself and promptly offered it to me. I was not prepared, but a chance like this does not come along often and after a feverish correspondence the bike was mine. The machine arrived completely disassembled and packed into a standard sized box in the most expert manner I've ever seen. It took us some time to put it back together, but finally we managed and here it is: a chrome Raleigh DL-1 Lady's Tourist.

The proportions of the 22" frame are identical to my 1973 bike. The hub is stamped 1980. "Raleigh Nottingham" headbadge. Most of the parts are original. The amount of wear suggests the previous owner rode it for years on a regular basis, but did not store it outdoors.

Aside from their eye-catching finish, what makes chrome DL-1s interesting is that historically they are somewhat of an enigma. On several occasions, Raleigh released limited edition All-Chrome versions of their roadster models. Originally these were made only for dealers as demos or display models. In later decades chromed editions began appearing in catalogues. In theory it is possible to find a chromed Raleigh roadster from any number of decades, made for any number of markets. The best known of these today is the Boss Bike - a balloon tire chromed Superbe Roadster produced for Raleigh's African market in the 1970s. There was also a chromed DL-1 produced for the German market through the late 1970s and early '80s. My bike is an example of the latter.

One very cool thing about the bike is the locking fork. Unfortunately, the key is missing. I will look into whether it's possible to get a duplicate made.

Also missing is the observation insert on the chaincase. The rear of the chaincase is slightly crumpled, but we are working on fixing that. The bike needs new cotters, and the headset could use repacking or replacing. Otherwise there is no damage.

A couple of things are not original, such as these newer tires (which ride great). The headlight and bottle generator are missing, though I do have the original tail light.

I initially thought these pedals were not original, but have since seen similar ones on other chromed Raleighs. The seller sent me these along with a set of the more typical Raleigh platform rubber pedals, but these are nicer and less than half the weight.

It looks like the grips were replaced by the previous owner after the originals wore out. The fit isn't quite right, but they feel and look fine, so I will keep them until I can find a better alternative. Late 1970s - early '80s Sturmey Archer trigger shifter. 

The bolted rear triangle and fork ends are identical in design to my standard 1973 DL-1.

The rod brakes, however, are a little different. I need to take close-ups of the other bike for a comparison. They need new brake pads, but work reasonably well in the meantime. The rear one is stronger than the front.

My understanding is that originally these bikes came with Brooks B33 saddles, but it was missing here. The seller included a spare from his personal collection, which is a brown Brooks "Champion B66 S.T.R." This is a long-nosed men's saddle, most comparable to today's Flyer model. I would love to get a shorter nosed model for this bike, and if anyone would like to trade let me know.

I am still just getting to know this bike and not sure what I will do with it in the immediate future. Putting it in storage was my plan, but I rode it and it feels too nice to put away just yet. 

For now I will get the cotters replaced and see what else needs adjusting. There is a local vintage bike show coming up in August and I might take it there if the timing works out.

While this bicycle is rare by virtue of being unusual (I only know of two other lady's chrome DL-1s in existence - one of them here), the late vintage and used condition don't make it especially valuable in collectors' terms. It is, however, historically significant - serving as an example of Raleigh's chrome finish and late-production DL-1 models. I can hardly believe my luck in getting my hands on one of these. 

More information on chrome Raleighs can be found here. And a good source of information on DL-1s in general is the author of this blog. Also worth visiting is Velo Ulli's collection - his focus is on pre-1920s bikes and it's glorious eye candy. It's always good to know collectors whose interests are different from yours... that way they can pass those unwanted bikes they pick up onto you!

Read More

Raleigh Lady's Tourist: Two Generations

As some might recall, I own two vintage Raleigh Lady's Tourists. Being in the midst of a major bike upheaval right now, I've retrieved these from storage and took the opportunity to photograph them together. The bicycle on the left is a 1973 DL-1. It has been refurbished and modified over the years (aftermarket chaincase, tires, rack, dress guards, pump, saddle, grips and rear wheel), a very ridable bike but definitely not a collector's item. The bicycle on the right is a 1936 Tourist. This one is in original and unaltered condition, including an intact chaincase, rotting grips and tires, cracked frame pump and dilapidated saddle. In the future I would like to have the older Tourist restored professionally, and until I can afford that I will continue to carefully store it. The newer Tourist I've decided to use as a transportation bicycle again, having now sold off most of my other bikes (a topic for another post). In the meantime, I'd like to share some observations while I briefly have these beauties side by side. 

I am not very good at lining up bikes and comparing them properly, but I'll try. Despite the older Tourist appearing smaller to the naked eye than the newer model, their wheelbases are near-identical - as are their bottom bracket heights (300mm), the lengths of their chainstays (500mm), their front-center measurements (680mm), and the lengths of their seat tubes (540mm center to center, or 560mm center to top - a.k.a. the 22" frame size). The seat tube angles look identical. The headtube angle on the newer bike looks like it could be slightly steeper, but I am unable to measure precisely. The forks line up identically. The virtual top tube on the older bike is a little shorter (570mm compared to 580mm on the newer one, measured center to center). But the most glaring difference is in the height of the head tubes.

The headtube on the 1973 Tourist measures 185mm from the very bottom of the lower lug to the very top of the upper lug. On the 1936 Tourist, the headtube measures 265mm. That's a considerable difference, placing the older bicycle's handlebars quite a bit higher. Combined with the slightly shorter virtual top tube, the rider is overall more upright. 

The quadrant shifter on the older model is on the top tube.

Notice also that the handlebars used in the '70s are different than those used in the '30s. The older ones were narrower, and angled straight back with no forward sweep to them.

On the older bike, the pump is behind the seat tube and there is a lugged connection between the down tube and the looped top tube. On the newer model the pump sits between those tubes and there is no lugged connector.

Overall I would say that the two bicycles are more similar than not, and it's interesting to me that so few changes were made between those 4 decades. I would love to see how a 1950s model compares to these two.

Read More

Where Have You Been...

Since the end of the summer, I've received a number of concerned inquiries about "Velouria," my vintage Raleigh DL-1 Tourist (and for those who have only begun reading this blog recently, I am named after this bicycle, not the other way around). Though admittedly I have not featured her for some time, I assure you that Velouria is alive and well. She resides in our photo studio just South of Boston, performing the under-documented but crucial role of "studio bike." And here are the pictures to prove it.

For those unfamiliar with Velouria's history, she is somewhat of a "frankenbike," albeit a darling one. I acquired the 1973 Raleigh DL-1 in the summer of 2009 and over time proceeded to subject her to a number of modifications. These have included: an aftermarket chaincase and dress guards, cream tires, a Brooks B18 saddle, a custom rear rack, and an updated rear wheel with a coaster brake hub to supplement the pitiful braking power of the rod brakes.

Why do I feel the need to mess with a vintage bicycle in this manner? To tell the truth, part of it is simply the compulsion to experiment, to customise, to turn objects that belong to me into "creatures." I am not saying it's a good habit necessarily; but it's how I like to do things.

There was also a practical reason for all the modifications: I loved the ride quality of the DL-1 so much, that I was highly motivated to make it as functional as possible.

But ultimately, my love for this bicycle is also what made me move it to the photo studio after I (literally) found the vintage Gazelle in the end of last summer. At the risk of sounding cruel to the Gazelle, I am willing to run it into the ground. It is a great bike, it handles wonderfully, it is admirably designed, but my feeling toward is appreciation - not "love." The vintage Raleigh, on the other hand, feels almost like a pet. I just can't bring myself to ride its already battered and rusty frame on the salted roads in the winter, or even to leave it for hours in the rain in the summer. "Let the Gazelle take the abuse and spare the Raleigh," says my heart. And so Velouria became "studio bike" - ridden occasionally, but not too much.

And if you've noticed that these pictures are a little different from my typical bike photos, that is because they were taken inside the studio itself. We will soon be doing a couple of photo shoots for a local framebuilder, so we're practicing. When it comes to product photography in a studio setting, every object requires a different approach to lighting - and I would say that bicycles are fairly complicated as far as these things go. They are enormous, they have both matte and reflective parts, and they cast a variety of unusual shadows. Oh, and don't get me started on the kickstand thing; we are still working that one out!

Of course, the trouble with this type of product photography is that it brings every single detail of the object into sharp focus - not exactly the most flattering approach when it comes to vintage bikes!

But after all, "Velouria" is not just any vintage bike.  She is mine. The scraped paint, the rust, the solidified crust, the dented fenders and even the bent rodbrake levers are, oddly, all part of what makes me cherish her. She may no longer be the most frequently featured bicycle here, but she epitomises the theme of this blog perhaps more than any other bike I own.

Read More

Two Boston Beauties: Rare Vintage Raleighs

Today I visited the bicycle collector Neal Lerner and photographed some of his beautiful bikes. I am posting pictures of these two in particular - not only because they are rare and stunning, but because the owner is offering them for sale [note: both bicycles are now sold]. Here is more about the bicycles, for your viewing pleasure and for longevity:

The loop-frame bicycle is a 1938 Raleigh Lady's Tourist. This model was the predecessor to the DL-1.  The frame is 22" with 28" wheels. It is a similar bicycle to the one I wrote about here; only this one is in ridable condition.

The main difference between the earlier Tourist and the later DL-1, is that the older bicycles are not quite as long - meaning that there is less distance between the saddle and handlebars. At the same time, they look "taller" than the DL-1, because the head tube extends quite a bit higher. Another difference, is that the older Tourists have a lugged connector between the downtube and the "loop" top tube which is absent from the later DL-1 model.

The handlebars on these older models are quite short and narrow - which makes sense, because of how closely the rider is seated to the bars.

The bicycle is in ridable condition and rolls surprisingly nicely (I've ridden it for a short distance).  The shifting needs to be worked on (the gears slip) and the rod brakes need to be adjusted, but it is a stable and buttery-smooth ride. Sadly, there is a piece missing from the rear of the chaincase; it is so difficult to find these chaincases intact. The shifter, saddle and grips are replacements and are not original to the 1938 model.

Being from the WWII period, this bicycle has some "blackout" components - including the headbadge.

The second bicycle in the pictures is one I'd never heard of before: It is a 1948 Raleigh Dawn Tourist. The Dawn Tourist was apparently the predecessor to the Sports. It was lighter and more agile than the original Tourist, and featured a straight step-through frame instead of a loop frame. The frame size of this bike is 21" with 26" wheels.

Unlike the later Sports, the Dawn had rod brakes, just like the Tourist did. However, its handlebars were wider and had considerably more "sweep".

The seat-cluster of the Dawn looks just like that of the later Sports (whereas the seat clusters of the original Tourist and the later DL-1 were bolted together).

The rear fender with original glass reflector are in very clean condition on this bicycle. These reflectors are highly thought after (both of the bicycles pictured have them).

The middle bit is missing from the original full chaincase, but otherwise it is intact.

"The all-steel bicycle" is written on the downtube. The pain on this bicycle is in very nice, even glossy, condition throughout.

It is rare to see even one of these bicycles "in the wild", let alone two - so I felt privileged to take these pictures before these beauties go to new homes. Hope you enjoyed the show and tell.

Read More

Custom Rear Racks for Roadsters

As some have astutely observed in the previous post, my Raleigh DL-1 now has a rear rack! It is notoriously difficult to find racks that will properly fit these bicycles (without slanting), and the racks that originally came with DL-1s are almost impossible to get ahold of. This here is a prototype for a custom rack by Red Barn Classic Bicycle Accessories, designed and built by metalsmith Jon Gehman with some input from me, specifically to fit the vintage Raleigh DL-1.

The Roadster Rack was built based on the dimensions of the original racks that were typically used with the DL-1, but features some delightful add-ons.

The platform of the rack is fortified with a graceful arch - something the original lacks. There is also a handy light mount at the end for attaching a tail light.

Here is a detail shot. The Roadster Rack is made of 3/8" seamless aircraft chrom-moly tubing; brazed and silver soldered. It is enamel painted, and the matte finish is a good match for the aged paint on my bicycle.

The rack also features these nice loops for attaching bungee cords. Needless to say, these are extremely useful.

Though the functionality of the rack is impeccable, I have to say that - at least for me - the practical aspects are overshadowed by the looks. I am not sure how well my pictures portray this, but the lines of the rack are mesmerisingly graceful. The arch, the light mount, the bungee loops, and even the gentle curves of the platform itself - everything is perfectly proportioned and pleasing to the eye. It makes me feel like a criminal for having now attached a set of Wald folding baskets to my rack - but hey, I needed to carry my laptop bag!

If you are interested in commissioning one of these gorgeous racks from Jon Gehman, the price is $125. And keep an eye on his website for upcoming products, which will include French chainguards and other secret things. I am collaborating with Jon on some of the designs, so you will notice that his pictures are of the prototypes I have on my bikes. However, I am not involved in the sales of the products (nor do I receive any revenue from the sales) - so please contact Jon directly if you'd like to place an order or have questions about his other products. We would also be glad to know what you think of the design, so please feel free to post your honest feedback here.

Read More

Coaster Roadster!

Behold my beloved Raleigh DL-1 Lady Tourist! Lovely as usual, is she not?

Ah, but some things about her are not at all "as usual". Can you tell that the lady has had major surgery? Probably not, and that's the beauty of it; her classic roadster features have been left intact.

But oh, what's this here? Why yes, it's a Sturmey-Archer S3C coaster brake hub! And with it, the bicycle has been magically transformed to an unmatched state of fabulousity.

For those unfamiliar with the saga: The Raleigh DL-1 is basically the holy grail of vintage "Roadsters," particularly the lady's loop frame. These bicycles are elegant, comfortable and surprisingly fast. There is only one tragic drawback: They were made with rod brakes, which is a braking system that is not the greatest even in dry weather, and completely ineffective in the rain. I got my DL-1 last summer and it has been my preferred bicycle ever since, despite the poor braking power. Still, I hoped that someday a conversion to a more effective braking system would make it perfect. Imagine my elation that this day has come!

If you are wondering how we did this, I will first say that it is definitely a "don't try this at home" project unless you are mechanically inclined, or have a spouse who is. But to summarise: You will need to get a 3-speed coaster brake hub and to have a new wheel built around it. You cannot put the coaster brake hub in the old wheel, because these hubs were designed for a different number of spokes. If you are planning to keep the original rod brakes (which you have to, unless you want to replace the handlebars), the new wheel needs to have a 28" rod-brake rim. These are distinct from regular rims, in that they have a special notch for the rod brake pads to grip. Yellow Jersey sells these rims, and they can also build you the wheel if you send them the coaster brake hub.

And that is what we did: I got the hub from an acquaintance who happened to have one (and who sent this monogrammed reaction arm clamp to go with it!), and had the wheel built by Yellow Jersey. Upon receiving the new wheel in the mail, we stayed up half the night attaching it to the bike. There are various little nuances that made it, shall we say, challenging - but it is doable. I will post a more detailed account on Boston Retro Wheelmen soon; for now I still have PTSD from the process. But let's be frank: A mild case of PTSD is a small sacrifice for the miracle of a secret coaster brake on a classic rod-brake roadster!

After the coaster-brake wheel installation, I spent the following day riding the bike everywhere; it was difficult to get me off of it! I tried hills, high-traffic routes, bridges - all kinds of situation where the brakes would be put to the test. I even got stuck in the pouring rain on my way home from downtown Boston - which was not intentional, but perfectly timed for testing the brakes in wet weather. If you've been reading this blog, you know I like coaster brakes, and this one performs fantastically. Upon back-pedaling, it comes to a soft (non-jolting) but reliable stop, making hand braking completely unnecessary, other than for preventing the bicycle from rolling when stopped at a traffic light. One funny thing about this hub, is that it is very-very loud: a steady ticking noise when pedaling, amplified tenfold when coasting. Well, at least they can hear me approach!

It did not take me long to get used to the DL-1 having a coaster brake and to adapt my braking patterns accordingly. With the rod brakes, I used to plan my stops in advance and I feared rain. Now I am free from worrying about such things and can fully enjoy this wonderful bicycle. There are other ways of installing effective brakes on the DL-1, like attaching the rods to a rollerbrake hub or replacing the whole rod system with standard brakes and conventional handlebars. But I chose the coaster brake, both because I like the system in itself, and because it allowed me to preserve everything about this bicycle exactly as it was - making it my very own Coaster Roadster.

Read More